The problem with Beasts Of No Nation is that it approaches war largely on the level aesthetic challenge, meaning that whatever sense of revulsion it creates comes from the personality of Commandant. It’s his absence, rather than memories of murder and rape, that hangs like a dark cloud over the movie’s intriguingly unresolved epilogue.
对戈雅的画作复原得很出彩公爵夫人&战争系列段落倒比黑色绘画超出预期(不过后者除了梦魇外好像也想不出别的表达方式)这也就是戈雅后半生的底色情节追随着梦跳动接近意识流对戈雅的创作/生平不熟悉者大概会觉得困惑除此之外色彩、音乐、意象都堪称完美:被开膛破肚的巨大红色动物在烛下画黑画夜晚用来欲爱幻影般的长廊用作调情的耳聋镜中映出的裸体公牛踢踏野狗撞山贯穿全片的螺旋结尾尤佳:深爱的女人就是死神婴儿在纯白中降生después de Goya empieza la pintura moderna.