Open City是真实存在的政治才是意大利新现实主义的缘由其次才是美学的战争电影和黑色电影的基因纳粹军官的阴谋、蛇蝎美人的诱惑、罗马人民的反斗争都很精彩神父增加了反抗的正义感在面对工程师的死亡老泪纵横悲天悯人有趣的是18to19日本最后神父被枪毙的时候两排士兵都故意把子弹打偏孩子们远远隔着铁网栅栏望着神父死亡转身奔向城市继续战斗工程师女友和纳粹女军官之间有暧昧倾向两人在沙发上卧在一起抽烟面向镜头很有美感电影资料馆观影
The character of Villanelle is one of the most profound female TV roles. The role itself is actually quite simple, but the implications behind it are ineffable. The subtleness of human emotions, the representation (or the realization) of feminism, the capability of a female psychopath in an adorable way, and its pure female-gaze fascinate me. It's so sexy without being sexual. The tension between Oxana and all other characters is created by her alone, but somehow it works.